Fundamental - 404

<p>Nach &Ouml;dipus Tod sind seine S&ouml;hne Eteokles und Polyneikes im Streit um das K&ouml;nigreich Erzfeinde geworden; Polyneikes wurde verbannt; als er zur&uuml;ckkehrte, versuchte er Theben zur&uuml;ck zu erobern. Bei der entscheidenden Schlacht vor den Toren Thebens t&ouml;ten sich die beiden Br&uuml;der Polyneikes und Eteokles gegenseitig. Nun &uuml;bernimmt Kreon, Antigones Onkel, die Herrschaft &uuml;ber Theben. Dem Heimatgesetz folgend l&auml;sst er Eteokles, der seine Heimat verteidigt hat, den Sitten gem&auml;&szlig; beerdigen. Den Leichnam des Polyneikes aber, der seine Heimat verraten und mit seiner R&uuml;ckkehr gegen das Gesetz versto&szlig;en hat, l&auml;sst er vor den Toren der Stadt, den Tieren zum Fra&szlig; liegen, ohne ihm eine ordentliche Bestattung zuzugestehen. Damit verwehrt Kreon Polyneikes jedoch den Einzug ins Totenreich.</p>
<p>An dieser Stelle setzt das Drama ein. Kreons Entscheidung steht im Widerspruch zu den geltenden Sitten und Normen, die stellvertretend f&uuml;r die ewigen Gebote der G&ouml;tter stehen. Antigone dagegen f&uuml;hlt sich diesen Normen und Werten mehr verbunden als den Gesetzen des Staates: Sie erachtet es als ihre schwesterliche Pflicht, ihren Bruder zu bestatten.</p>
<p><em>Antigone</em>&nbsp;geh&ouml;rt neben&nbsp;<em>K&ouml;nig &Ouml;dipus</em>&nbsp;zu Sophokles&rsquo; einflussreichsten Werken; zahlreiche Bearbeitungen legen davon Zeugnis ab. Hegel nannte das St&uuml;ck in seinen Vorlesungen &uuml;ber &Auml;sthetik das vollkommenste Kunstwerk, das ihm bekannt sei.</p>
<p>&laquo;&nbsp;Vieles ist ungeheuer, nichts ungeheuerer als der Mensch.&nbsp;&raquo;</p>
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<div class="field-item even">Wolfgang Schadewaldt</div>
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<div class="field-item even">Avec</div>
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<div class="field-item even">Margarita Breitkreiz, Tony de Maeyer, Martin Engler, Dieter Fischer, Nora Koenig, Jean-Paul Maes, Linda Olsansky, Josiane Peiffer, Max Thommes</div>
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<div class="field-item even">Steve Karier</div>
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<div class="field-item even">Sc&eacute;nographie</div>
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<div class="field-item even">Diane Heirend</div>
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<div class="field-item even">Katharina Polheim</div>
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<div class="field-item even">Musique</div>
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<div class="field-item even">Dieter Fischer</div>
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<div class="field-item even">Lumi&egrave;res</div>
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<div class="field-item even">G&eacute;rard Cleven</div>
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<div class="field-item even">Bohumil Kostohryz</div>
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<div class="field-item even">Octobre - Novembre 2009</div>
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<div class="field-item even">Th&eacute;&acirc;tre des Capucins</div>
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Antigone

<h5>CREATION 2012</h5>
<p><em>Il existe un livre. Ce livre r&egrave;gle tout. En toutes circonstances il ordonne tout. Il propose une solution</em>&nbsp;<em>pour tous les instants de la vie. Il organise et rassure. C&rsquo;est un livre absolu.</em></p>
<p><em>Les r&egrave;gles du savoir-vivre dans la soci&eacute;t&eacute; moderne</em>&nbsp;est une r&eacute;&eacute;criture du manuel &eacute;ponyme de la Baronne Staffe, n&eacute;e Blanche Soyer, paru en 1889.&nbsp;&laquo;&nbsp;Lagarce n'a fait qu'ins&eacute;rer quelques mots ou formules dans le texte original, changeant du tout au tout l'esprit de ce qui est racont&eacute;, et faisant appara&icirc;tre ce qui n'est qu'en puissance dans le texte original : un regard ironique et cynique sur le monde et l'existence. Les conventions sociales, l'amour, la fidelit&eacute;, l'amiti&eacute;, la religion se trouvent ici int&eacute;gralment d&eacute;sacralis&eacute;es, r&eacute;duits &agrave; des transactions financi&egrave;res et des n&eacute;gociations. Derri&egrave;re l'&eacute;clat des grandes c&eacute;r&eacute;monies r&egrave;gnent l'&eacute;go&iuml;sme, la solitude et l'abandon.&nbsp;&raquo;&nbsp;(Fran&ccedil;ois Thomas)&nbsp;</p>
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<p>A une &eacute;poque o&ugrave; la question morale est au centre des d&eacute;bats, o&ugrave; l&rsquo;on oscille entre les rep&egrave;res offerts par des mod&egrave;les id&eacute;ologiques et la r&eacute;alit&eacute; quotidienne, Val&eacute;rie Bodson et J&eacute;r&ocirc;me Konen mettent en sc&egrave;ne ce texte cinglant d&rsquo;actualit&eacute;.</p>
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<div class="field-item even">Mise en sc&egrave;ne</div>
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<div class="field-item even">J&eacute;r&ocirc;me Konen</div>
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<div class="field-item even">Dramaturgie</div>
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<div class="field-item even">Daliah Kentges</div>
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<div class="field-item even">Jo&euml;l Seiller</div>
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<div class="field-item even">Kulturhaus Niederanven, Kulturfabrik d'Esch-sur-Alzette, Fundamental A.s.b.l.</div>
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<div class="field-item even">&copy; Les Solitaires Intempestifs</div>
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<div class="field-item even">Vendredi 14 juin 2013 &agrave; 20h00</div>
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Les règles du savoir-vivre dans la société moderne

<p>Alle paar Jahre erreichen uns Meldungen &uuml;ber Soldaten, die Jahrzehnte nach dem Ende eines Krieges in W&auml;ldern oder Unterschlupfen aufgefunden werden &ndash; sei es, dass sie den Frieden schlicht verpasst haben, sei es, dass sie ihn nicht wahrhaben wollten. Der irakische Dramatiker Nahid al-Ramadhani nimmt diese (fiktive) Situation zum Ausgangspunkt f&uuml;r die Suche nach Erkl&auml;rungen. Sein Zwei-Personen-St&uuml;ck Amado zeigt einen japanischen Soldaten, der 30 Jahre nach dem Ende des zweiten Weltkriegs von einem ehemaligen Vorgesetzten auf einer einsamen Insel aufgefunden wird.</p>
<p>Warum ist er drei Jahrzehnte an diesem Ort geblieben? Ramadhani er&ouml;ffnet mehrere M&ouml;glichkeiten, wie es dazu kam und welche Reaktion Amados sich daraus ergibt. Pflichtgef&uuml;hl? Rache? Zorn? Best&uuml;rzung &uuml;ber das eigene Verhalten? Immer wieder versucht das St&uuml;ck, die Frage nach dem Motiv zu beantworten -um am Ende festzustellen, dass die Sache viel komplexer ist als anfangs angenommen. Und dass die Problematik auch im 21. Jahrhundert nichts an Brisanz verloren hat.</p>
<p>Die Regisseurin Anne Simon und der Schauspieler Steve Karier haben sich bei einer fr&uuml;heren Produktion von den Texten Ramadhanis begeistern lassen. F&uuml;r Amado kommt Theater-Star Wolfram Koch dazu. Gemeinsam wollen sie herausfinden, an welchem Punkt sich alle Kriege gleichen, und die thematische, &auml;sthetische und historische Dis.</p>
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<p class="field-item even">Vendredi 27 janvier 2012 &agrave; 20:00</p>
<p class="field-item odd">Lundi 30 janvier 2012 &agrave; 20:00</p>
<p class="field-item even">Mardi 31 janvier 2012 &agrave; 20:00</p>
<p class="field-item odd">Mercredi 1 f&eacute;vrier 2012 &agrave; 20:00</p>
<p class="field-item even">Jeudi 2 f&eacute;vrier 2012 &agrave; 20:00</p>
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<div class="press-review title-pattern title-style">&nbsp;</div>

amado, ein kriegsmärchen

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<p>The production is an innovative account of Madame Maria Sklodowska Curie&rsquo;s scientific accomplishments as well as her private and personal traits. Upon receiving her second Nobel Award in 1911 &ndash; dedicated strictly to her own achievements &ndash; Maria underlines the award&rsquo;s inextricable link to the work produced in cooperation with her husband Pierre Curie. The leitmotiv of the project is taken from the Book of Genesis&nbsp;&ndash; &ldquo;It is not good that the man should be alone; I will make him an help meet for him.&rdquo;</p>
<p>It is the end of 1911, Paris, Maria has just returned from her trip to the Nobel Award ceremony in Stockholm. Recent issues related to a turbulent affair destroy her reputation to such an extent to drive her to the brink of death. While on retreat, through her subconscious, Maria travels back in time to her wedding day. Her companion on this illusory journey is an apparition of Pierre who has been dead since 1906.</p>
<p>This project is under the honorary patronage of the Embassy of the Republic of Poland in the Grand-Duchy of Luxembourg, the&nbsp;Embassy of the Grand-Duchy of Luxembourg in the Republic of Poland and the auspices of The Association of Polish Artists.</p>
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<div class="field-item even">Jolanta Juszkiewicz</div>
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<div class="field-item even">Jolanta Juszkiewicz &amp; Steve Karier</div>
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<div class="field-item even">J&eacute;r&ocirc;me Konen</div>
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<div class="field-item even">Kropka Theatre &amp; Fundamental A.s.b.l.</div>
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<div class="field-item even">CCRN, ArtMadeInLuxembourg A.s.b.l., Universit&eacute; du Luxembourg, Warsaw University of Technology: Faculty of Physics, Dom Kultury Praga, Permanent Representation of the Republic of Poland to the EU in Brussels, Polish Ministry of Economy: Department of Nuclear Power, International Theatre Institute, Institut Polonais Paris, Adama Mickiewicza Institute, Willy Rogalla, Warsaw City Council &amp; Orange Foundation.</div>
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<div class="field-item even">Language: English</div>
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<div class="field-item even">Friday, 28 October at 20h00 (Abbaye de Neum&uuml;nster)</div>
<div class="field-item odd">Saturday, 29 October at 20h00 (Abbaye de Neum&uuml;nster)</div>
<div class="field-item even">Saturday, 19 November 2011 at 19h00 (Warsaw University of Technology)</div>
<div class="field-item odd">Thursday, 15 December 2011 at 12h30 (Unesco Paris)</div>
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Maria S. Curie: Book of Genesis / Naked to the bone

<p><em>&laquo;&nbsp;Nous lui pla&ccedil;ons un &eacute;criteau autour du cou. Le sigle des Brigades rouges. En dessous, un texte&nbsp;: &laquo;&nbsp;Tu mords et tu fuis. Rien ne restera impuni. Frappes-en un pour en &eacute;duquer cent.&nbsp;&raquo; Un slogan d&rsquo;importation. Typique de notre &eacute;poque. Le lendemain, la photo para&icirc;t dans tous les journaux. La lutte arm&eacute;e a commenc&eacute;.&nbsp;&raquo;</em></p>
<p>Un homme, seul, dans un espace clos, est visit&eacute; par une apparition &ndash; celle de sa femme abattue quelques ann&eacute;es auparavant lors d&rsquo;un affrontement avec la police. Ensemble, ils revisitent les diff&eacute;rentes &eacute;tapes de leur engagement dans la lutte arm&eacute;e au c&oelig;ur des ann&eacute;es 1970. Naissance de la violence est inspir&eacute;e des vies de Renato Curcio et Margherita Cagol, membres fondateurs des Brigades rouges.</p>
<p>Organisation d&rsquo;extr&ecirc;me gauche, les Brigades rouges sont apparues en Italie durant les &laquo;&nbsp;ann&eacute;es de plomb&nbsp;&raquo;, une p&eacute;riode allant de la fin des ann&eacute;es 1960 &agrave; la fin des ann&eacute;es 1980 et se caract&eacute;risant par la mont&eacute;e et la pr&eacute;sence dans l&rsquo;ensemble des pays d&rsquo;Europe de l&rsquo;ouest d&rsquo;un activisme politique violent. A l&rsquo;instar de la Fraction Arm&eacute;e Rouge en Allemagne ou d&rsquo;Action Directe en France, les Brigades rouges, n&eacute;es de mouvements &eacute;tudiants et ouvriers, ont lutt&eacute; contre un Etat consid&eacute;r&eacute; comme &eacute;tant sourd et scl&eacute;ros&eacute;.</p>
<p><em>&laquo; Nous pouvons continuer de parler, ils ne nous entendront pas.&nbsp;Le monde n&rsquo;a toujours pas chang&eacute;.&nbsp;&raquo; &laquo;&nbsp;Nos mani&egrave;res de penser n&rsquo;ont toujours pas chang&eacute;.</em><em>&raquo;</em></p>
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<div class="field-item even">Sophie Langevin &amp; Steve Karier</div>
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<div class="field-item even">&copy; Bohumil Kostohryz</div>
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<div class="field-item even">Vendredi 30 septembre &agrave; 20h00</div>
<div class="field-item odd">Samedi 1er octobre &agrave; 20h00</div>
<div class="field-item even">Mardi 4 octobre &agrave; 20h00</div>
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<div class="field-item even">Samedi 8 octobre &agrave; 20h00</div>
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<div class="field-item even">Mardi 13 octobre &agrave;20h00</div>
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<div class="field-item even">"Am Dierfgen" 4, Grand-Rue</div>
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Naissance de la violence

<p><em>&ldquo;Entweder ich bringe dich um, oder du mich, oder wir trennen uns, oder wir machen so weiter.&rdquo;</em></p>
<p>Lars Nor&eacute;n wurde 1944 in Stockholm geboren und ist einer der meistgespielten und bedeutendsten Gegenwartsdramatiker Schwedens.</p>
<p><em>D&auml;monen</em>&nbsp;erz&auml;hlt von Liebe und Hass, Trauer, Sehnsucht, Zerst&ouml;rung und Erl&ouml;sung &ndash; den Zimmer &ndash; und Seelenschlachten zwischen Mann und Frau, ihren Vernichtungsk&auml;mpfen und Unterwerfungsritualen, bei denen die Grenze zwischen T&auml;ter und Opfer verschwimmt.</p>
<p>Frank kommt nach Hause und &auml;rgert sich &uuml;ber die Unordnung in der Wohnung. Katarina &auml;rgert sich ebenfalls &ndash; &uuml;ber Frank, man tauscht kleine Gemeinheiten aus, &uuml;bt sich in der Kunst, einander nicht mehr zuzuh&ouml;ren. Das normale Chaos einer normalen Beziehung. In der mitgebrachten Plastikt&uuml;te tr&auml;gt er jedoch keine Eink&auml;ufe nach Hause, sondern die Asche seiner toten Mutter. Morgen soll die Beerdigung sein und das junge Paar erwartet an diesem Abend noch Franks Bruder. Der verschiebt seine Ankunft und nun droht ein freier Abend in trauter Zwietracht. Um nicht miteinander alleine sein zu m&uuml;ssen, wird kurzfristig das Nachbarsehepaar eingeladen &ndash; damit beginnt eine Nacht ungeahnter Entgleisungen, gnadenloser Dem&uuml;tigungen und Provokationen.</p>

<p><em>&ldquo;Entweder ich bringe dich um, oder du mich, oder wir trennen uns, oder wir machen so weiter.&rdquo;</em></p>
<p>Lars Nor&eacute;n wurde 1944 in Stockholm geboren und ist einer der meistgespielten und bedeutendsten Gegenwartsdramatiker Schwedens.</p>
<p><em>D&auml;monen</em>&nbsp;erz&auml;hlt von Liebe und Hass, Trauer, Sehnsucht, Zerst&ouml;rung und Erl&ouml;sung &ndash; den Zimmer &ndash; und Seelenschlachten zwischen Mann und Frau, ihren Vernichtungsk&auml;mpfen und Unterwerfungsritualen, bei denen die Grenze zwischen T&auml;ter und Opfer verschwimmt.</p>
<p>Frank kommt nach Hause und &auml;rgert sich &uuml;ber die Unordnung in der Wohnung. Katarina &auml;rgert sich ebenfalls &ndash; &uuml;ber Frank, man tauscht kleine Gemeinheiten aus, &uuml;bt sich in der Kunst, einander nicht mehr zuzuh&ouml;ren. Das normale Chaos einer normalen Beziehung. In der mitgebrachten Plastikt&uuml;te tr&auml;gt er jedoch keine Eink&auml;ufe nach Hause, sondern die Asche seiner toten Mutter. Morgen soll die Beerdigung sein und das junge Paar erwartet an diesem Abend noch Franks Bruder. Der verschiebt seine Ankunft und nun droht ein freier Abend in trauter Zwietracht. Um nicht miteinander alleine sein zu m&uuml;ssen, wird kurzfristig das Nachbarsehepaar eingeladen &ndash; damit beginnt eine Nacht ungeahnter Entgleisungen, gnadenloser Dem&uuml;tigungen und Provokationen.</p>
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DÄMONEN

<p>Based on two monodramas by Nahidh al-Ramadhani.</p>
<p>Some time ago, Luxembourgish actor Steve Karier took part in a production at a festival in The Arab Emirates. There, he met Iraqi playwright Nahidh al-Ramadhani who gave him a folder with three plays he had written &ndash; two monologues and a two-person play. At the airport, Steve started reading one of the monodramas and was immediately hooked. The style of the text, the story and the content were completely different from the European stories he had been telling so far, and he felt compelled to perform one of Nahidh&rsquo;s plays.</p>
<p>Back in Luxembourg, he discussed his idea with director Anne Simon who shared Steve&rsquo;s desire to make the playwright&rsquo;s voice heard. They decided to stage&nbsp;The Tale of (Hoo),&nbsp;a non-verbal monologue with about 60 extras on stage and started rehearsing. Yet they soon realized that this was no ordinary production &ndash; they felt they needed more background information before they would be able to stage the play, they wanted the audience to know the story behind the text and they needed roughly 60 people on stage.</p>
<p>Swimming to Iraq&nbsp;has become their own, very personal narrative on the complexity, the strangeness and the imperative of story-telling, and on the need and importance to try and understand different cultures and events. It is also a story on the horror or war and on how conflicts that may seem far away are actually closer than we think. Steve Karier talks and improvises about theatre, Iraq and wars, interspersed with the odd funny anecdote. The plot develops as he comes to realize that in order to tell one story and make it understandable he needs to tell yet another one.</p>
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Swimming to Iraq

<p>&laquo;&nbsp;Wissen Sie, warum die Menschen Angst davor haben, ihre Narben zu betrachten und noch viel mehr, sie zu ber&uuml;hren ? Weil dies der Ort ist, an dem die Seele sich bem&uuml;ht hat, dem K&ouml;rper zu entfliehen. Aber wieder hinein gezwungen wurde und die Haut straff zugen&auml;ht wurde.&nbsp;&raquo; (R. Federman)</p>
<p><em>Mein K&ouml;rper in neun Teilen</em>&nbsp;ist eine &uuml;berm&uuml;tige Achterbahnfahrt durch Raymond Federmans Leben und durch die Geschichte. Sie f&uuml;hrt ihn von vier verlorenen Haaren zu den 68er Unruhen in Paris, vom L&auml;usezerdr&uuml;cken zu den Haartrachten der vom j&uuml;dischen Fl&uuml;chtling beneideten jungen M&auml;nner im Amerika der 40er Jahre, bis hin zu der Betrachtung des dritten Zehs, des &laquo;&nbsp;Gelehrten&nbsp;&raquo;, der uns &uuml;ber die Gemeinsamkeiten von Freud und Hitler aufkl&auml;rt&hellip;&nbsp;&raquo;</p>
<p>Raymond Federman wurde 1928 in Frankreich geboren und &uuml;berlebte als Einziger seiner Familie den Holocaust, weil seine Mutter ihn im Alter von 14 Jahren in einem Schrank vor den Nazis versteckte. 1947 emigrierte er in die USA und bekam zahlreiche Preise f&uuml;r sein literarisches Werk, das in &uuml;ber 20 Sprachen &uuml;bersetzt wurde. Raymond Federman starb im Oktober 2009.</p>
<p><em>Mein K&ouml;rper in neun Teilen&nbsp;</em>ist eine sehr ergreifende Hommage an Raymond Federman, beeindruckend gespielt von Steve Karier.</p>
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Mein Körper in neun Teilen